The Canon EOS 6D Mark II is an excellent camera that fills an important gap in the market. As a full-frame model aimed at a market that demands full-frame quality but still can’t justify the expense of some of the high-end models available from Canon, the Canon EOS 6D Mark II is the best of both worlds in terms of features. and value for money. Compatible with EF mount lenses, a wide range of lenses are available to the owner of the 6D Mark II, from wide zooms to fast telephoto lenses and specialist lenses.
We decided to focus on high-quality lenses that produce ultra-sharp results to make the most of the detail the 26.2MP image sensor can capture. The best lenses in this roundup include features like fast ultrasonic motors for fast autofocus to keep the shot moving, powerful image stabilization that stabilizes the frame, whether it’s whether shooting stills or video, and fast, consistent apertures that don’t change across zoom ranges and provide the most versatile options for shooting, whether in bright sunlight or in harsh environments. dark and dimly lit.
Although only the best lenses for the Canon EOS 6D Mark II are on our list, we’ve made sure to include different prices for those who want a second or third lens, or who might not quite have the budget to splash out on this premium glass. That said, each lens has been perfectly designed for use with an “entry-level” full-frame camera and takes full advantage of features such as flare-reducing lens coatings, extra-low dispersion elements that prevent chromatic aberration and aspherical coatings designed to eliminate distortion issues, especially on zoom lens constructions. So take a look below for our list of the best lenses for the Canon EOS 6D Mark II.
Best Lenses for the Canon 6D Mark II in 2022
This standard wide-to-medium zoom achieves all the useful focal lengths a day-to-day photographer could ask for. Brilliant sharpness throughout the zoom range and a constant f/2.8 aperture help maintain bright images even in dark environments. It is a little heavier than other competing models but special attention has been paid to this lens by Sigma to reduce optical aberrations and minimize distortion.
The sturdy metal construction means it’s strong and durable and there’s even a partial weather seal to protect it from the elements. A hyper sonic motor (HSM) in the lens makes this versatile zoom fast and accurate when autofocusing, even in tricky situations.
A prime focal length known for its ability to create flattering portraits, the 85mm focal length compresses perspective just enough to smooth facial features while the shallow f/1.4 aperture beautifully isolates subjects, creating dramatic bokeh. dreamy background.
Armed with four stops of image stabilization, this lens stabilizes handheld shooting, which is especially handy in low-light conditions when photographers are forced to use longer exposures to counter the lack of light. . Air Sphere Coating (ASC) reduces ghosting and internal flare, and an ultrasonic motor ensures fast and precise autofocus.
The third lens in the range of this classic wide-angle zoom, we think the Canon EF 16-35mm f/2.8L III USM is the best yet. L-series quality brings sharpness throughout the zoom range with minimal chromatic aberration and distortion thanks to molded glass (GMo) lens elements and ultra-low dispersion elements inside. Ideal for landscapes, real estate and even environmental portraits, it’s a versatile lens that can shoot in the dark thanks to its bright f/2.8 constant aperture.
Rugged construction and excellent weather sealing make it ideal for professional and amateur photographers who can afford to take it with them on their next adventure, whatever the weather conditions.
Always useful, the 70-200mm telephoto zoom range is a standard for all lens manufacturers. It’s suitable for a wide range of assignments from portraits to concert photography, and the longer end might have become unwieldy for all but the most steady hands, unless this version of the L-series is comes with 3.5 stops of image stabilization.
Flare and ghosting are mitigated on this 70-200mm through the use of fluorite coating and ultra-low dispersion elements. Fully weatherproof, it’s happy to be photographed in the rain, on a dusty beach, or sitting in the snow on top of the mountain.
The long focal length gives the EF 100mm f/2.8L IS USM macro lens a usable working distance for those who enjoy photographing insects and other finicky animals, with a minimum focusing distance of 30cm. Image stabilization stabilizes the shot up to four stops, which drops to 3 stops at 0.5x magnification and 2 stops at 1.0x magnification.
It has the ability to focus to infinity, so it can also be used as a general telephoto lens. At 100mm it’s ideal for portraits, as when paired with the large f/2.8 aperture it can produce shallow depth of field and satisfying subject isolation.
A neat fifty, indeed, this f/1.4 version is the best value 50mm prime that Canon makes. Ideal as a versatile lens, it can shoot just about any genre imaginable, with the large aperture (and resulting shallow depth of field) being ideal for low light and a minimum focusing distance of 45cm lending itself well. to details. .
As a primary lens, photographers will have to contend with their feet as there’s no zoom, but its low price means professionals and enthusiasts alike can enjoy its satisfying optical character without breaking the bank.
The best Canon lenses
Best 150-600mm Lenses
Best 100-400mm Lenses
The best macro lenses
Best Lenses for Canon 5D Mark IV
Best Lenses for Canon EOS Rebel T6 and T7
Best Lenses for Canon EOS 90D and EOS 80D
Best lenses for the Canon R5